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Alain Locke
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Reading and Writing Workshop

Reimagining Identity – A Workshop on Alain Locke’s The New Negro
Overview:
This workshop explores the essays, ideas, and cultural significance of Alain Locke’s The New Negro (1925), a foundational text of the Harlem Renaissance. Participants will engage with related public domain works to deepen their understanding of Black artistic and intellectual awakening.

Session 1: Introducing The New Negro
Main Reading:
  • Alain Locke, Introduction to The New Negro (1925)
    https://www.gutenberg.org/ebooks/73493
Activity:
  • Close reading and discussion on Locke’s concept of the “New Negro.”
  • Reflective writing: "What does it mean to redefine identity through culture?"

Session 2: Rebirth of the Folk
Main Reading:
  • Alain Locke, “The New Negro” essay from The New Negro (1925)
    https://www.gutenberg.org/ebooks/73493
Supplementary Text:
  • W.E.B. Du Bois, The Souls of Black Folk (1903), Chapter 1: "Of Our Spiritual Strivings"
    https://www.gutenberg.org/ebooks/408
Activity:
  • Comparative analysis of Locke’s and Du Bois’ visions of Black uplift.
  • Writing prompt: "How does the folk tradition shape the future of Black identity?"

Session 3: The Role of Art and the Artist
Main Reading:
  • Charles S. Johnson, “The Task of Negro Womanhood” from The New Negro
    https://www.gutenberg.org/ebooks/73493
Supplementary Text:
  • Langston Hughes, “The Negro Artist and the Racial Mountain” (1926)
    https://www.gutenberg.org/cache/epub/73676/pg73676-images.html
Activity:
  • Discussion on the responsibilities of Black artists.
  • Writing exercise: "What should be the role of the artist in cultural renewal?"

Session 4: Poetry as Protest and Celebration
Main Reading:
  • Selections from the poetry section of The New Negro (Poems by Georgia Douglas Johnson, Claude McKay, etc.)
    https://www.gutenberg.org/ebooks/73493
Supplementary Text:
  • Claude McKay, Harlem Shadows (1922)
    https://www.gutenberg.org/ebooks/25931
Activity:
  • Poetry analysis using TP-CASTT method.
  • Writing a response poem in the voice of a Harlem Renaissance figure.

Session 5: The New Negro in Politics and Society
Main Reading:
  • A. Philip Randolph and Chandler Owen, “A New Crowd - A New Negro” from The New Negro
    https://www.gutenberg.org/ebooks/73493
Supplementary Text:
  • Booker T. Washington, “The Atlanta Exposition Address” (1895)
    https://www.gutenberg.org/ebooks/18358
Activity:
  • Debate: Accommodation vs. Assertiveness in civil rights.
  • Writing: A persuasive letter from the viewpoint of a 1920s activist.

Session 6: Black Womanhood and the Harlem Renaissance
Main Reading:
  • Jessie Fauset, “The Gift of Laughter” from The New Negro
    https://www.gutenberg.org/ebooks/73493
Supplementary Text:
  • Zora Neale Hurston, “How It Feels to Be Colored Me” (1928)
    https://www.gutenberg.org/ebooks/73521
Activity:
  • Analyze how female voices complicate and enrich the concept of the “New Negro.”
  • Creative writing: Memoir-style reflection on identity and heritage.

Session 7: Legacy and Reflection
​
Main Reading:
  • Locke, concluding essay in The New Negro
    https://www.gutenberg.org/ebooks/73493
Supplementary Text:
  • Paul Laurence Dunbar, Lyrics of Lowly Life (1896), selected poems
    https://www.gutenberg.org/ebooks/10702
Activity:
  • Write a personal “New Negro Manifesto.”
  • Workshop showcase: read selected poems, manifestos, or essays aloud.
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