Alain Locke
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Reading and Writing Workshop
Reimagining Identity – A Workshop on Alain Locke’s The New Negro
Overview:
This workshop explores the essays, ideas, and cultural significance of Alain Locke’s The New Negro (1925), a foundational text of the Harlem Renaissance. Participants will engage with related public domain works to deepen their understanding of Black artistic and intellectual awakening.
Session 1: Introducing The New Negro
Main Reading:
Session 2: Rebirth of the Folk
Main Reading:
Session 3: The Role of Art and the Artist
Main Reading:
Session 4: Poetry as Protest and Celebration
Main Reading:
Session 5: The New Negro in Politics and Society
Main Reading:
Session 6: Black Womanhood and the Harlem Renaissance
Main Reading:
Session 7: Legacy and Reflection
Main Reading:
Overview:
This workshop explores the essays, ideas, and cultural significance of Alain Locke’s The New Negro (1925), a foundational text of the Harlem Renaissance. Participants will engage with related public domain works to deepen their understanding of Black artistic and intellectual awakening.
Session 1: Introducing The New Negro
Main Reading:
- Alain Locke, Introduction to The New Negro (1925)
https://www.gutenberg.org/ebooks/73493
- Close reading and discussion on Locke’s concept of the “New Negro.”
- Reflective writing: "What does it mean to redefine identity through culture?"
Session 2: Rebirth of the Folk
Main Reading:
- Alain Locke, “The New Negro” essay from The New Negro (1925)
https://www.gutenberg.org/ebooks/73493
- W.E.B. Du Bois, The Souls of Black Folk (1903), Chapter 1: "Of Our Spiritual Strivings"
https://www.gutenberg.org/ebooks/408
- Comparative analysis of Locke’s and Du Bois’ visions of Black uplift.
- Writing prompt: "How does the folk tradition shape the future of Black identity?"
Session 3: The Role of Art and the Artist
Main Reading:
- Charles S. Johnson, “The Task of Negro Womanhood” from The New Negro
https://www.gutenberg.org/ebooks/73493
- Langston Hughes, “The Negro Artist and the Racial Mountain” (1926)
https://www.gutenberg.org/cache/epub/73676/pg73676-images.html
- Discussion on the responsibilities of Black artists.
- Writing exercise: "What should be the role of the artist in cultural renewal?"
Session 4: Poetry as Protest and Celebration
Main Reading:
- Selections from the poetry section of The New Negro (Poems by Georgia Douglas Johnson, Claude McKay, etc.)
https://www.gutenberg.org/ebooks/73493
- Claude McKay, Harlem Shadows (1922)
https://www.gutenberg.org/ebooks/25931
- Poetry analysis using TP-CASTT method.
- Writing a response poem in the voice of a Harlem Renaissance figure.
Session 5: The New Negro in Politics and Society
Main Reading:
- A. Philip Randolph and Chandler Owen, “A New Crowd - A New Negro” from The New Negro
https://www.gutenberg.org/ebooks/73493
- Booker T. Washington, “The Atlanta Exposition Address” (1895)
https://www.gutenberg.org/ebooks/18358
- Debate: Accommodation vs. Assertiveness in civil rights.
- Writing: A persuasive letter from the viewpoint of a 1920s activist.
Session 6: Black Womanhood and the Harlem Renaissance
Main Reading:
- Jessie Fauset, “The Gift of Laughter” from The New Negro
https://www.gutenberg.org/ebooks/73493
- Zora Neale Hurston, “How It Feels to Be Colored Me” (1928)
https://www.gutenberg.org/ebooks/73521
- Analyze how female voices complicate and enrich the concept of the “New Negro.”
- Creative writing: Memoir-style reflection on identity and heritage.
Session 7: Legacy and Reflection
Main Reading:
- Locke, concluding essay in The New Negro
https://www.gutenberg.org/ebooks/73493
- Paul Laurence Dunbar, Lyrics of Lowly Life (1896), selected poems
https://www.gutenberg.org/ebooks/10702
- Write a personal “New Negro Manifesto.”
- Workshop showcase: read selected poems, manifestos, or essays aloud.