Reading and Writing Workshop
The Short Story in Focus: An AP Literature Reading & Writing Workshop
Exploring Character, Conflict, and Meaning in Classic and Contemporary Fiction
This workshop uses short stories frequently cited, anthologized, or aligned with College Board’s AP Literature course and exam, emphasizing close reading, character and theme analysis, and interpretive writing. It follows the format — Read → Discuss → Write → Share → Reflect — and culminates in both analytical and creative writing tasks.
Overview
Purpose:
To help students master AP-level analysis through close reading of short fiction — understanding how authors use character, setting, and narrative structure to reveal complex themes.
AP Focus Skills:
Week 1 — The Human Psyche: Character and Motivation
Focus: Analyzing complex characters and how their motivations shape conflict.
AP Skill Category: 1.A–1.C (Character development and relationships)
Mentor Texts:
Workshop Flow
Focus: How authors build toward moments of realization or reversal.
AP Skill Category: 2.A–2.C (Narrative structure and theme development)
Mentor Texts:
Workshop Flow
Focus: Understanding external vs. internal conflict and ambiguous resolution.
AP Skill Category: 3.A–3.D (Conflict, ambiguity, and multiple interpretations)
Mentor Texts:
Workshop Flow
Focus: How social context and environment shape identity and fate.
AP Skill Category: 4.A–4.C (Setting, society, and theme)
Mentor Texts:
Workshop Flow
Focus: Authorial style and how structure creates meaning.
AP Skill Category: 5.A–5.C (Narrative techniques, symbolism, cohesion)
Mentor Texts:
Workshop Flow
Focus: Synthesizing analysis into coherent literary argument.
AP Skill Category: 6.A–6.C (Thesis development, evidence, commentary)
Mentor Texts:
Students compile:
Exploring Character, Conflict, and Meaning in Classic and Contemporary Fiction
This workshop uses short stories frequently cited, anthologized, or aligned with College Board’s AP Literature course and exam, emphasizing close reading, character and theme analysis, and interpretive writing. It follows the format — Read → Discuss → Write → Share → Reflect — and culminates in both analytical and creative writing tasks.
Overview
Purpose:
To help students master AP-level analysis through close reading of short fiction — understanding how authors use character, setting, and narrative structure to reveal complex themes.
AP Focus Skills:
- Characterization and motivation
- Plot and structure
- Setting and symbolism
- Tone, irony, and theme
- Writing literary arguments (AP FRQ 2)
Week 1 — The Human Psyche: Character and Motivation
Focus: Analyzing complex characters and how their motivations shape conflict.
AP Skill Category: 1.A–1.C (Character development and relationships)
Mentor Texts:
- James Joyce – “Araby”
Project Gutenberg – Dubliners - William Faulkner – “A Rose for Emily”
American Literature PDF Archive
Workshop Flow
- Engage: “What drives people to cling to illusions or the past?” Brainstorm examples.
- Read & Discuss: Annotate characterization (Joyce’s narrator’s naivety; Faulkner’s Miss Emily’s decay).
- Write: Prompt — “Write a monologue from a character trapped by their own desire.”
- Share: Peers infer emotional motives from the writing.
- Reflect: Journal — “How does setting mirror character psychology?
Focus: How authors build toward moments of realization or reversal.
AP Skill Category: 2.A–2.C (Narrative structure and theme development)
Mentor Texts:
- Kate Chopin – “The Story of an Hour”
Project Gutenberg - Flannery O’Connor – “A Good Man Is Hard to Find”
University of Virginia Online Text
Workshop Flow
- Engage: Discuss “What does it mean to be free?” and “What does grace look like in crisis?”
- Read & Discuss: Identify tone shifts and symbolic moments of realization.
- Write: Prompt — “Write a story (or scene) that ends with an unexpected truth.”
- Share: Students discuss how they built tension through imagery or dialogue.
- Reflect: Write — “What do small moments reveal about human nature?
Focus: Understanding external vs. internal conflict and ambiguous resolution.
AP Skill Category: 3.A–3.D (Conflict, ambiguity, and multiple interpretations)
Mentor Texts:
- Ernest Hemingway – “Hills Like White Elephants”
Project Gutenberg Australia - Jhumpa Lahiri – “Interpreter of Maladies”
Public Text at The New Yorker Archive
Workshop Flow
- Engage: Show a silent short film clip; discuss “What’s being said without words?”
- Read & Discuss: Identify unspoken conflicts in Hemingway and Lahiri.
- Write: Prompt — “Write a short dialogue where what isn’t said matters most.”
- Share: Peers analyze the emotional tension.
- Reflect: Journal — “Why do writers leave questions unanswered?
Focus: How social context and environment shape identity and fate.
AP Skill Category: 4.A–4.C (Setting, society, and theme)
Mentor Texts:
- Charlotte Perkins Gilman – “The Yellow Wallpaper”
Project Gutenberg - Toni Cade Bambara – “The Lesson”
Public Text Archive
Workshop Flow
- Engage: Ask students to describe “a room that reflects how you feel.”
- Read & Discuss: Examine how environment controls or liberates characters.
- Write: Prompt — “Write a story from the perspective of a character who rebels against their surroundings.”
- Share: Peer feedback on tone and detail.
- Reflect: Write — “How does social environment reveal character values?
Focus: Authorial style and how structure creates meaning.
AP Skill Category: 5.A–5.C (Narrative techniques, symbolism, cohesion)
Mentor Texts:
- Alice Walker – “Everyday Use”
Everyday Use PDF – National Humanities Center - James Baldwin – “Sonny’s Blues”
PDF Archive – The University of Texas
Workshop Flow
- Engage: Discuss “What makes art or memory valuable?”
- Read & Discuss: Track symbols (quilts, music) and internal conflicts.
- Write: Prompt — “Write a story where two people experience the same event differently.”
- Share: Students identify narrative perspective and theme.
- Reflect: Journal — “What is the relationship between memory and identity?
Focus: Synthesizing analysis into coherent literary argument.
AP Skill Category: 6.A–6.C (Thesis development, evidence, commentary)
Mentor Texts:
- Alice Munro – “Boys and Girls”
Munro’s text via University of Toronto Archive - AP Exam Prose FRQ Practice: Select from released prompts featuring Joyce, Chopin, or Baldwin.
- Engage: Discuss patterns among all stories studied: how writers reveal truth through form.
- Read & Discuss: Identify evidence that supports a clear theme claim.
- Write:
- Option 1: Timed AP Prose Essay response (40 min).
- Option 2: Creative response — “Write a short story inspired by one of our authors, but in your own time and place.”
- Option 1: Timed AP Prose Essay response (40 min).
- Share: Read openings aloud for tone and clarity.
- Reflect: Exit slip — “What makes a story AP-worthy?
Students compile:
- One analytical essay responding to an AP-style prose prompt.
- One original short story reflecting a studied author’s style.
- Reflection essay: “How does fiction reveal what cannot be said directly?
- Point-of-View Rewrite: Retell “The Story of an Hour” or “Araby” from a secondary character’s perspective.
- Setting Map Project: Visualize how space shapes emotion in one story.
- Story Pairing Seminar: Pair a 19th-century and 20th-century story exploring gender or class.
- Timed FRQ Scoring Workshop: Use a released prompt for student peer scoring and revision.