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A Raisin in the Sun

Reading and Writing Workshop:   A Raisin in the Sun is a play by Lorraine Hansberry that debuted on Broadway in 1959. The title comes from the poem "Harlem" by Langston Hughes. The story tells of a black family's experiences in south.

Essential Question
How do dreams shape identity, family relationships, and resistance in the face of systemic barriers?
Core Themes
  • The American Dream
  • Race, housing segregation, and economic inequality
  • Gender roles and generational conflict
  • Dignity, pride, and resilience
Skills Focus
  • Close reading and annotation
  • Text-based discussion
  • Analytical and creative writing
  • Speaking, listening, and collaboration

Group Structure (Used Every Session)
Students work in groups of 4–5, rotating roles:
  • Discussion Leader – guides questions and keeps the group focused
  • Textual Evidence Tracker – collects key quotations with page numbers
  • Context Connector – links text to historical or social context
  • Recorder/Writer – drafts group responses
  • Performance Lead (optional) – prepares dramatic readings

Session 1: Building Context & Introducing the Play
Focus
  • Historical and social background
  • The concept of “dreams deferred”
Group Activities
  • Brainstorm: What is the American Dream? Who has access to it?
  • Mini research task: housing segregation, the Great Migration, or 1950s gender roles
  • Predictive discussion based on the title
Writing Task
  • Quickwrite: What happens to a dream when it is continually delayed or denied?
Outcome
  • Shared class anchor chart on dreams and barriers

Session 2: Act I — Dreams and Family Conflict
Focus
  • Introduction of the Younger family
  • Competing dreams and rising tension
Group Reading
  • Act I (assigned sections per group)
Discussion Questions
  • How does each character define success?
  • What conflicts arise around money?
  • How does the apartment setting shape the mood?
Writing Task
  • Paragraph response: How does Hansberry use everyday dialogue to reveal deeper conflict?

Session 3: Act II — Identity, Choice, and Pressure
Focus
  • Assimilation vs. cultural pride
  • Gender expectations and independence
Group Reading
  • Act II, Scenes 1–2
Discussion Questions
  • Why is Walter drawn to the liquor store investment?
  • How does Beneatha challenge traditional roles?
  • What does Asagai represent symbolically?
Creative Task
  • Rewrite a scene from a different character’s perspective (group-created)

Session 4: Act II (continued) — Consequences and Loss
Focus
  • Trust, betrayal, and responsibility
Group Reading
  • Act II, Scene 3
Discussion Questions
  • How does the loss of money change Walter?
  • How does Mama respond to disappointment?
  • What does this moment reveal about family bonds?
Writing Task
  • Short analysis: Is Walter a tragic figure at this point in the play?

Session 5: Act III — Dignity and Decision
Focus
  • Resistance and moral choice
Group Reading
  • Act III
Discussion Questions
  • Why is Walter’s final decision so significant?
  • What does the house symbolize?
  • Is the ending hopeful, realistic, or unresolved?
Performance Task
  • Groups rehearse and perform a key scene, focusing on tone and subtext

Session 6: Writing Workshop — Analysis or Creative Response
Focus
  • Drafting and revision
Student Choice
  • Literary Analysis: How does A Raisin in the Sun redefine the American Dream?
  • Character Argument: Is Walter justified in his actions?
  • Creative Response: Monologue, letter, or modern adaptation scene
Group Support
  • Peer feedback using a checklist
  • Quote integration practice

Session 7: Socratic Seminar / Fishbowl Discussion
Focus
  • Synthesizing ideas through discussion
Seminar Questions
  • What does dignity mean in the play?
  • Is compromise ever a form of resistance?
  • How do systemic barriers shape personal choices?
Assessment
  • Speaking and listening rubric
  • Use of textual evidence

Session 8: Reflection & Portfolio Submission
Focus
  • Metacognition and synthesis
Individual Reflection Prompt
Which character’s dream resonated with you most, and why?
Portfolio Components
  • One revised writing piece
  • One reflection
  • One annotated passage from the play
Assessment Options
  • Group discussion rubric
  • Writing rubric (thesis, evidence, analysis, voice)
  • Performance rubric
  • Final portfolio checklist
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