The Cantos
Reading and Writing Workshop: Epic Motifs in Ezra Pound’s The Cantos
Workshop Theme:
Exploring common epic motifs in Ezra Pound’s The Cantos and tracing their origins in canonical epic poetry.
Session 1: The Modern Epic Form and Pound's Inheritance
Primary Reading:
Write your own "invocation" for a modern epic poem. How would you call upon inspiration in today’s world?
Session 2: Epic Catalogue and Historical Scope
Primary Reading:
Create an epic catalogue of figures, events, or places from your own cultural or historical background.
Session 3: The Hero’s Journey and Fragmentation
Primary Reading:
Write a fragmented narrative of a hero’s journey in non-linear vignettes.
Session 4: Cultural Syncretism and Allusions
Primary Reading:
Compose a short piece blending two distinct mythological or cultural traditions.
Session 5: The Poet as Seer and Sage
Primary Reading:
Write a poem where you assume the role of a seer or sage reflecting on a modern-day issue.
Session 6: The Sacred and the Profane
Primary Reading:
Craft a scene juxtaposing sacred imagery with a secular or profane setting.
Session 7: The Epic’s Political Vision
Primary Reading:
Draft an epic-style reflection on contemporary political issues through allegory.
Closing Reflection:
Participants will be invited to compile their writings into a modern “Canto,” reflecting on how Pound's methods might apply to contemporary epics.
Workshop Theme:
Exploring common epic motifs in Ezra Pound’s The Cantos and tracing their origins in canonical epic poetry.
Session 1: The Modern Epic Form and Pound's Inheritance
Primary Reading:
- The Cantos I-III (Excerpts from early Cantos focusing on Pound's invocation of Homeric tradition)
- The invocation of the muse
- The descent to the underworld
- Homer’s The Odyssey (Invocation and Nekyia/Underworld journey)
- Virgil’s The Aeneid (Book VI - Katabasis)
Write your own "invocation" for a modern epic poem. How would you call upon inspiration in today’s world?
Session 2: Epic Catalogue and Historical Scope
Primary Reading:
- The Cantos XVI-XVII (Historical figures and cataloguing)
- Epic catalogues and lists of heroes or events
- Homer’s The Iliad (Catalogue of Ships - Book II)
- Beowulf (Genealogical cataloguing of Danes and Geats)
Create an epic catalogue of figures, events, or places from your own cultural or historical background.
Session 3: The Hero’s Journey and Fragmentation
Primary Reading:
- The Cantos XX-XXIV (The journey motif and fragmented narrative)
- The wandering hero
- Fragmentation of narrative and time
- The Divine Comedy by Dante Alighieri (Inferno, Canto I - The lost pilgrim)
- The Odyssey by Homer (Odysseus as the wandering hero)
Write a fragmented narrative of a hero’s journey in non-linear vignettes.
Session 4: Cultural Syncretism and Allusions
Primary Reading:
- The Cantos XXX-XXXV (Blending of classical, Chinese, and Renaissance sources)
- Syncretism of cultural traditions
- Intertextual allusions in epic poetry
- The Ramayana by Valmiki (Themes of dharma and cultural identity)
- The Epic of Gilgamesh (Themes of kingship and mortality)
Compose a short piece blending two distinct mythological or cultural traditions.
Session 5: The Poet as Seer and Sage
Primary Reading:
- The Cantos LXXXI (The poet’s voice, prophecy, and the role of art)
- The poet as visionary
- The moral voice of the epic
- Paradise Lost by John Milton (Invocation of the Heavenly Muse - Book I)
- The Faerie Queene by Edmund Spenser (Cantos invoking moral allegory)
Write a poem where you assume the role of a seer or sage reflecting on a modern-day issue.
Session 6: The Sacred and the Profane
Primary Reading:
- The Cantos XC-XCV (Religious symbolism and economic criticism)
- The intersection of the sacred and the profane
- The role of religious imagery in epics
- The Nibelungenlied (Themes of betrayal and sacred oaths)
- The Song of Roland (Religious zeal and martyrdom)
Craft a scene juxtaposing sacred imagery with a secular or profane setting.
Session 7: The Epic’s Political Vision
Primary Reading:
- The Cantos XCV-C (Pound's vision of governance and justice)
- The epic as political and social commentary
- Justice and governance in the epic tradition
- The Oresteia by Aeschylus (Justice and societal order)
- The Mahabharata (Dharma and kingship)
Draft an epic-style reflection on contemporary political issues through allegory.
Closing Reflection:
Participants will be invited to compile their writings into a modern “Canto,” reflecting on how Pound's methods might apply to contemporary epics.