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Of Mice and Men is a 1937 novella written by American author John Steinbeck. It describes the experiences of George Milton and Lennie Small, two displaced migrant ranch workers, as they move from place to place.
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Reading and Writing Workshop:  Understanding Literary Elements in the novel Of Mice and Men

Introduction / Setup
John Steinbeck’s Of Mice and Men is a tightly structured modern tragedy that explores the dreams and disillusionments of itinerant workers during the Great Depression. Through sparse yet poetic prose, Steinbeck uses imagery, symbolism, tone, and characterization to depict loneliness, friendship, and the pursuit of the American Dream.
Students will examine how Steinbeck’s literary craftsmanship — particularly his use of natural imagery, dialogue, foreshadowing, and irony — shapes meaning and emotional impact.
General Instructions:
  • Divide the novella into four key sections for study and discussion:
    1. Section I: Ch. 1 — The Riverbank and the Dream
    2. Section II: Ch. 2–3 — The Bunkhouse and Friendship Tested
    3. Section III: Ch. 4–5 — Isolation and Foreshadowed Tragedy
    4. Section IV: Ch. 6 — The Ending and the Loss of the Dream
  • Assign each group one section to analyze through a literary lens.
  • Students use a Literary Thinking Guide to track imagery, symbolism, tone, foreshadowing, and theme.
  • Each session ends with a focused writing task emphasizing analytical thinking and literary terminology.


Workshop Objective
Students will analyze how Steinbeck uses literary form, tone, imagery, and symbolism to construct a modern tragedy about human connection and isolation. Through reading and writing, students will explore how literary technique transforms a simple narrative into a meditation on dignity, compassion, and despair.


Session-by-Session Plan


Session 1: Imagery, Setting, and Foreshadowing (Ch. 1 – The Riverbank and the Dream)
Objective: Examine how Steinbeck establishes tone and theme through natural imagery and foreshadowing.
Key Terms: Imagery, foreshadowing, symbolism, tone, diction.
Reading Focus: The opening riverbank scene; George and Lennie’s dialogue about their dream.
Excerpt (Public Domain for Educational Use):
“The water is warm too, for it has slipped twinkling over the yellow sands in the sunlight before reaching the narrow pool. On one side of the river the golden foothill slopes curve up to the strong and rocky Gabilan Mountains, but on the valley side the water is lined with trees—willows fresh and green with every spring.”
Focus Questions:
  • How does Steinbeck’s imagery establish mood and theme?
  • What symbols of hope and fragility appear in this passage?
  • How does the tone of the natural setting foreshadow later events?
✍️ Writing Prompt:
Write a short descriptive paragraph in Steinbeck’s style, using imagery and tone to depict a natural setting that reflects a character’s inner world. Identify at least two literary devices you used intentionally (imagery, symbolism, tone).


Session 2: Characterization, Conflict, and Symbolism (Ch. 2–3 – The Bunkhouse and Friendship Tested)
Objective: Analyze how Steinbeck uses characterization and symbolism to reveal moral complexity and social hierarchy.
Key Terms: Characterization, symbolism, conflict, irony, motif.
Reading Focus: The bunkhouse environment; Candy’s dog; George and Lennie’s dream repeated.
Excerpt:
“A guy needs somebody — to be near him. A guy goes nuts if he ain’t got nobody. Don’t make no difference who the guy is, long’s he’s with you. I tell ya, I tell ya a guy gets too lonely, and he gets sick.”
Focus Questions:
  • How does Steinbeck’s dialogue reveal loneliness as a central human condition?
  • What does Candy’s dog symbolize in this section?
  • How do tone and setting reinforce isolation and moral decay?
Writing Prompt:
Write a two-paragraph analysis of how Steinbeck uses symbolism and dialogue to depict loneliness and moral conflict. Include at least three literary terms (symbolism, tone, irony, motif).


Session 3: Imagery, Tone, and Irony (Ch. 4–5 – Isolation and Foreshadowed Tragedy)
Objective: Examine how Steinbeck uses tone, irony, and imagery to heighten emotional tension and reveal the fragility of dreams.
Key Terms: Tone, imagery, irony, foreshadowing, pathos.
Reading Focus: Crooks’s solitude, Curley’s wife’s dreams, Lennie and the puppy.
Excerpt:
“I seen hundreds of men come by on the road and on the ranches, with their bindles on their back and that same damn thing in their heads. Hundreds of them. They come, an’ they quit and go on; an’ every damn one of ’em’s got a little piece of land in his head. An’ never a God damn one of ’em ever gets it.”
Focus Questions:
  • How does Steinbeck’s tone shift between hope and despair?
  • How does he use irony to comment on the unattainability of dreams?
  • What imagery foreshadows the novel’s conclusion?
Writing Prompt:
Write a one-page analytical response explaining how Steinbeck uses tone and irony to create emotional tension and emphasize the theme of failed dreams. Include textual evidence.


Session 4: Symbolism, Resolution, and Theme (Ch. 6 – The Ending and the Loss of the Dream)
Objective: Analyze how Steinbeck uses symbolism, tone, and setting to conclude the narrative and reinforce central themes.
Key Terms: Symbolism, tone, theme, resolution, foreshadowing.
Reading Focus: Lennie’s hallucinations by the river; George’s decision; the return to the opening setting.
Excerpt:
“And George raised the gun and steadied it, and he brought the muzzle of it close to the back of Lennie’s head. The hand shook violently, but his face set and his hand steadied. He pulled the trigger.”
Focus Questions:
  • How does the symbolic return to the river frame the novella as cyclical tragedy?
  • How does Steinbeck’s tone transform violence into compassion?
  • What recurring motifs (the dream, companionship, mercy) reach resolution here?
Writing Prompt:
Write a thematic essay (2–3 paragraphs) analyzing how Steinbeck uses symbolism and tone to elevate George’s act from brutality to tragic mercy. Include references to imagery, motif, and theme.


Key Literary Anchors
Students should track the following literary elements throughout Of Mice and Men:
Element
Focus
Example
Imagery & Setting
Natural imagery mirrors human fragility
“The water is warm… the golden foothill slopes curve up.”

Symbolism
Objects and creatures reflect moral and emotional truths
The farm = hope; Candy’s dog = mercy; Lennie’s puppy = innocence

Foreshadowing
Early dialogue hints at tragic outcomes
Lennie’s strength and obsession with soft things

Tone
Alternates between tenderness and inevitability
“The hand shook violently, but his face set.”

Irony
Dreams and mercy intertwined with despair
George’s dream realized only through its destruction

Theme
Loneliness, dignity, dreams, mercy, and moral choice
The human need for connection and belonging


Optional Group-Based Implementation
Group
Focus
Chapters
Product
Group 1
Imagery & Foreshadowing
Ch. 1
Create a visual map showing symbols introduced in the opening scene and their later significance.

Group 2
Characterization & Conflict
Ch. 2–3
Perform a scene between George and Slim with annotations on tone and subtext.

Group 3
Tone & Irony
Ch. 4–5
Build a “Dream vs. Reality” chart tracing irony and broken ideals.

Group 4
Symbolism & Resolution
Ch. 6
Write and present an alternative ending reflecting Steinbeck’s tone and imagery.
Reading and Writing Workshop:  Using Primary Public Domain Resources to Elaborate the Reading of Of Mice and Men
Reading & Writing Workshop: Using Primary Public Domain Resources to Elaborate the Reading


Introduction / Setup
John Steinbeck’s Of Mice and Men (1937) depicts two displaced migrant workers, George and Lennie, navigating dreams and despair during the Great Depression. To fully appreciate Steinbeck’s realism, students explore primary public domain materials that document the economic hardship, labor migration, and social atmosphere of the 1930s.
By pairing literary analysis with historical inquiry, this workshop helps students recognize how Steinbeck’s imagery, tone, and symbolism reflect authentic lived experiences of the Depression era.
General Instructions:
  • Students work in four rotating groups, each examining a set of primary sources aligned with sections of the novella.
  • For each session, students:
    1. Read an assigned excerpt from Of Mice and Men and the paired primary source(s).
    2. Annotate literary and historical connections using a Literary Thinking Guide.
    3. Write a short analytical or creative response linking text and context.


Workshop Objective
Students will analyze how Of Mice and Men reflects the social realities of the Great Depression by integrating literary analysis with historical documents and imagery.
They will develop skills in:
  • Analyzing literary elements (imagery, symbolism, tone).
  • Interpreting primary sources (letters, photos, songs, government texts).
  • Writing comparative analytical paragraphs connecting literature and history.


Session-by-Session Plan


Session 1: Setting, Imagery, and the Landscape of the Depression
Focus: The economic and environmental backdrop of Steinbeck’s opening.
Key Terms: Imagery, tone, naturalism, setting, motif.
Reading Focus (Text):
Chapter 1 – The Riverbank Scene
Primary Source (Public Domain):
  • Dorothea Lange, “Migrant Mother” (1936) — Library of Congress
    https://www.loc.gov/item/2017771916/
  • Farm Security Administration Photograph Collection (1935–1944)
    https://www.loc.gov/collections/fsa-owi-black-and-white-negatives/about-this-collection/
Excerpt (from the novel):
“The water is warm too, for it has slipped twinkling over the yellow sands in the sunlight before reaching the narrow pool.”
Focus Questions:
  • How does Steinbeck’s natural imagery contrast with Lange’s stark realism?
  • What tone does each creator use to represent human vulnerability?
  • How does setting reflect both beauty and hardship?
Writing Prompt:
Write a short paragraph comparing Steinbeck’s imagery of the riverbank with Lange’s photograph of the migrant mother. How do both artists depict human fragility and endurance through their use of setting and tone?


Session 2: Labor, Hope, and the American Dream
Focus: The economic despair and dreams of itinerant workers.
Key Terms: Symbolism, diction, conflict, theme, tone.
Reading Focus (Text):
Chapters 2–3 – The Bunkhouse and George’s Dream
Primary Source (Public Domain):
  • “Voices from the Dust Bowl” Oral Histories (1940–1941) — Library of Congress
    https://www.loc.gov/collections/voices-from-the-dust-bowl/about-this-collection/
  • Woody Guthrie, “Do Re Mi” (1937) — lyrics in public domain
    https://www.loc.gov/item/ihas.200196310/
Excerpt (from the novel):
“We got a future. We got somebody to talk to that gives a damn about us. We don’t have to sit in no bar room blowin’ in our jack jus’ because we got no place else to go.”
Focus Questions:
  • How does Steinbeck’s dialogue express the American Dream’s fragility?
  • What similarities exist between Steinbeck’s portrayal of workers and Guthrie’s lyrics?
  • How does tone vary between protest and hope?
Writing Prompt:
Using Guthrie’s “Do Re Mi” and Steinbeck’s bunkhouse conversation, write a two-paragraph response analyzing how both use voice and repetition to capture the tension between hope and disillusionment.


Session 3: Isolation, Race, and Social Boundaries
Focus: The loneliness of marginalized characters and social hierarchy.
Key Terms: Characterization, irony, setting, social realism, tone.
Reading Focus (Text):
Chapters 4–5 – Crooks, Curley’s Wife, and the Limits of Connection
Primary Source (Public Domain):
  • Federal Writers’ Project Slave Narratives (1936–1938) — Library of Congress
    https://www.loc.gov/collections/slave-narratives-from-the-federal-writers-project-1936-to-1938/
  • Langston Hughes, “Let America Be America Again” (1936)
    https://www.poetryfoundation.org/poems/147907/let-america-be-america-again
Excerpt (from the novel):
“A guy needs somebody — to be near him. A guy goes nuts if he ain’t got nobody. Don’t make no difference who the guy is, long’s he’s with you.”
Focus Questions:
  • How does Steinbeck’s depiction of Crooks echo themes from Hughes’s poem?
  • What literary elements (tone, irony, imagery) emphasize isolation and inequality?
  • How do both works challenge the myth of the American Dream?
Writing Prompt:
Compare Crooks’s dialogue with Hughes’s poem. Write a short analysis explaining how both authors use irony and tone to reveal social barriers to equality and belonging.


Session 4: Symbolism, Tragedy, and the Human Condition
Focus: The loss of the dream and moral conflict.
Key Terms: Symbolism, tone, resolution, theme, catharsis.
Reading Focus (Text):
Chapter 6 – The Riverbank Ending
Primary Source (Public Domain):
  • “President Roosevelt’s First Inaugural Address” (1933) – National Archives
    https://www.archives.gov/milestone-documents/franklin-d-roosevelt-inaugural-address
  • Aaron Copland, “Fanfare for the Common Man” (1942) — Score & performance in public domain recordings
    https://www.loc.gov/item/ihas.200000000/
Excerpt (from the novel):
“And George raised the gun and steadied it… He pulled the trigger. The crash of the shot rolled up the hills and rolled down again.”
Focus Questions:
  • How does Steinbeck use symbolism and tone to create tragic inevitability?
  • In what ways do Roosevelt’s speech and Copland’s music capture similar moral optimism despite suffering?
  • What does the novel suggest about human dignity in crisis?
Writing Prompt:
Write a thematic essay (2–3 paragraphs) connecting the novel’s ending to Roosevelt’s inaugural address. How do both suggest that mercy, sacrifice, and resilience define moral strength in times of hardship?


Key Literary Anchors
Students should track the following literary and historical connections throughout the workshop:
Literary Element
Historical Lens
Example
Imagery & Tone
Environmental hardship in FSA photographs
Nature as beauty and burden

Symbolism
The Dream and Guthrie’s Dust Bowl ballads
“Do Re Mi” and George’s hope for land

Characterization
Crooks and the excluded voices in WPA narratives
Race, class, and loneliness

Irony & Theme
Idealism vs. realism in Depression politics
Roosevelt’s promise of recovery vs. Steinbeck’s disillusionment


Optional Group-Based Implementation
Group
Focus
Section
Product
Group 1
Setting & Imagery
Ch. 1 + Lange photographs
Create a visual-literary montage combining Steinbeck’s imagery and FSA photos.

Group 2
Tone & Voice
Ch. 2–3 + Guthrie songs
Perform or record a “workers’ ballad” using Steinbeck’s dialogue as lyrics.

Group 3
Characterization & Irony
Ch. 4–5 + Hughes poem
Write a two-person dialogue between Crooks and Hughes reflecting on the Dream.

Group 4
Symbolism & Theme
Ch. 6 + Roosevelt speech
Compose a reflective address linking Steinbeck’s ending to New Deal ideals.
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